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I really really wanted to get all the way thru the book, but I need a total week of no life/work, a notepad to jot down all the angles being worked, a white board to map out all these people and where they fit in. I got 2/3 way thru before life had to be tended to again.
Starting A Most Wanted Man this reminded me of seeing those beautiful rugs being made. Characters are complex, and there are quite a few to keep track of; the story is engrossing with several layers of intrigue; and then I kept wondering what else can be stuffed into one book (or how many more patterns can they jam into this rug before you get sick and dizzy looking at it).
Did you ever watch those people who make amazingly intricate woven rugs, and you wonder how it's done and how do all those little patterns get in there. Then I decided to totally start over again, maybe I was just being lazy the first time around.
I was totally hooked until about a third the way thru, then I had to flip back to see which lady this one was and how she fit in again. Then I set it aside.
I knew as soon as I set it down I would never go back--it was just too much to keep track of for me. Just can't dedicate that much effort to this book.
Surgical use of language. LeCarre makes characters visual to the reader. Expect the unexpected.
I think this was partially because I found some aspects of the plot far-fetched and credulity-straining (which might be the result of ignorance on my part, as my knowledge of international banking approximates closely to zero). (The only BANG.-WHAM.
He is an outstanding stylist who writes with wit and flair. I like John le Carré.
If you like BANG.-WHAM.-style thrillers, le Carré is most definitely not for you. He is also accomplished at writing about "wheels within wheels" intrigues.
This one addresses some very topical issues - terrorism and its financing, and the people who watch the terrorists and how far they are prepared to go in bending and even breaking the rules. comes in the last couple of pages, and, as other reviewers have noted, is decidedly odd).However, although I enjoyed the style and the characters, I found this one dragged a bit and frequently felt flat, such that, unlike other le Carrés, which I couldn't wait to pick up again, it took me a while to get through it.
I just couldn't buy into Tommy Brue and his bank at all.
Beautifully written. The Swiss and Germans have no grace in their laws. But Le Carre', for purely liberal establishment reasons, enters a couple of spies on horseback as the last act. Suddenly, on the last couple of pages, the big bad mean nasty rambunctious zealous Americans show up and destroy everything good in the world. Le Carre' ends a relatively decent plot, with great characters, by tossing in two pages of claptrap that destroy the novel. HOGWASH. until the Cowboy rides in. The really bad guy in the plot is a sponsor of terrorists.
After a novel filled with reminders of the brutality of the Russians in Chechnya, the Germans in Warsaw, the Arabs with their brothers and lovers, and the assorted perversions of European and Mid Eastern culture, a group of American spies appear from outside the plot and overturn the namby pamby actions of half hearted Germans spying on their own country. The most wanted man is a young victim of misinformation and distortions done by non-Americans. With what many would like to criticize as typical American cursing and judgementalism and bravado (which in truth is a charicature and misrepresentation of Americans) the really bad guy is swept to justice in the Mid East, and the Chechen is returned to Chechnya by order of Interpol. DON'T BOTHER READING IT; but if you must, buy it used or check it out of a library.
Beautifully written as usual for Le Carre. Only qualm is the continued use of the same boogeyman.
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